A Universe is a giant bottle gourd made of earth (cob and kaolin clay over a steel frame). You can enter at either of the two ends; inside, there are large feet, hands, and heads lining the walls, resembling a body turned outside in. When it rains, water streams into channels carved on its outside walls and down to the 16 windows (8 on each side), where there are cups that fill up, tip, spill, hit notes, and make music. Beam Camp, Strafford, N.H. For complete documentation of the process, research, and prototyping: http://beamcamp.cargo.site/ ~ due to COVID-19, building has been postponed until Summer 2021.
"This series and the works’ respective titles form a poem whose limbs and lines have been separated. Without sequence, their positions are like shards of memory stewing in the mind, a frayed network marked by continual renewal and revision. The works’ supposed brokenness, offset by Zhu’s delicate application of tiny iridescent brushstrokes across the pictures’ surfaces, suggests an attitude of meditative healing and an understanding of painting’s role as a luminous throughline between the estranged."
Inspired by virtual reality, anonymity, and the desire to connect, I=N=T=E=R=F=A=C=E is a multimedia performance staged in a dinner cabaret as a gathering space for ritual and spectacle. As an immersive experience, moments of intimacy is our gamble. Yale Cabaret, New Haven, CT ~ 2019
Material Spiritualism; Spiritual Materialism ~ 2019 ~ Yale School of Art, New Haven, C.T.
Maya & the Mycelial Network ~ 2018 ~ At The Range, Saguache, C.O.
* * * * * *
beneath the dirt
is a cavernous empty mind
to colonize free gaps
“There is only one reason why the world was faked”
the child said
her mycelium stretched and meshed
focusing her fruits
Teaching Garden - as a Beam Center instructor, in collaboration with teachers and staff at Andreas Hudde (I.S.240) in Brooklyn, we envisioned and facilitated the making of an outdoors classroom–garden for students of each grade level to design and build structures for. The students are asked to reflect on their personal growth and learning, using gardening as a metaphor for cultivating the world they want to live in. Their reflections in quotes, writings, drawings, paintings, sculptures, and adaptations dress the structures, turning the garden into a sculptural-classroom-garden. Fall 2017 - Spring 2018.
The Eternity of Dragonflies - An installation in the exhibition "Office Space", curated by Esteban Cabeza de Baca at 28 Liberty Street, NY. Materials: one way mirror films, hot glue, fluorescent light bulbs, and extension cords. 2016.